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The importance of culture
Culture is the lifeblood of a vibrant society, expressed in the many ways we tell our stories, celebrate, remember the past, entertain ourselves, and imagine the future. Our creative expression helps define who we are, and helps us see the world through the eyes of others. Ontarians participate in culture in many ways—as audiences, professionals, amateurs, volunteers, and donors or investors.
In addition to its intrinsic value, culture provides important social and economic benefits. With improved learning and health, increased tolerance, and opportunities to come together with others, culture enhances our quality of life and increases overall well-being for both individuals and communities.
Individual and social benefits of culture
Intrinsic benefits
Participating in culture can benefit individuals in many different ways, some of which are deeply personal. They are a source of delight and wonder, and can provide emotionally and intellectually moving experiences, whether pleasurable or unsettling, that encourage celebration or contemplation. Culture is also a means of expressing creativity, forging an individual identity, and enhancing or preserving a community’s sense of place.
Cultural experiences are opportunities for leisure, entertainment, learning, and sharing experiences with others.
These benefits are intrinsic to culture. They are what attracts us and why we participate.
Improved learning and valuable skills for the future
In children and youth, participation in culture helps develop thinking skills, builds self-esteem, and improves resilience, all of which enhance education outcomes. For example, students from low-income families who take part in arts activities at school are three times more likely to get a degree than those who do not.
Cultural heritage broadens opportunities for education and lifelong learning, including a better understanding of history. Ontario’s cultural heritage sector develops educational products and learning resources in museums and designed around built heritage and cultural landscapes.
As trusted community hubs and centres of knowledge and information, public libraries play an important role in expanding education opportunities and literacy, overcoming the digital divide, supporting lifelong learning, and preparing people for work in the knowledge economy.
E-learning is on the rise in both academic and professional settings. Games are being used to enhance math, writing, and other academic skills, and to motivate employees. There are over 120 specialized e-learning companies in Ontario.
Better health and well-being
Participation in culture contributes to healthy populations in several ways. Creativity and cultural engagement have been shown to improve both mental and physical health.
A growing body of research also demonstrates that the arts can improve the health and well-being of older adults. Participation in the arts can relieve isolation and promote identity formation and intercultural understanding.
In First Nation, Métis and Inuit communities, culture is “simultaneously art, creative expression, religious practice, ritual models and markers of governance structures and territorial heritage, as well as maps of individual and community identity and lineage.”
Vibrant communities
The benefits of culture for individuals can spill over to society as a whole.
Culture helps build social capital, the glue that holds communities together. By bringing people together, cultural activities such as festivals, fairs, or classes create social solidarity and cohesion, fostering social inclusion, community empowerment, and capacity-building, and enhancing confidence, civic pride, and tolerance.
Culture is important to the vitality of all communities.
Our diverse cultural heritage resources tell the story of our shared past, fostering social cohesion.
Culture helps cities to develop compelling city narratives and distinctive brands, with unique selling points for tourists and business investors. Culturally rich districts also enhance competitiveness by attracting talent and businesses. Cultural heritage is also a factor in rural development, supporting tourism, community renewal, and farmstead conservation.
Economic benefits of culture
The culture sector helps support the economy through direct and indirect job creation. It also helps spur innovation in other sectors
Contribution to job creation
Economic opportunities created by culture have taken on greater importance as economies transition from the industrial model, and work based on physical labour, to a new model in which knowledge and creativity drive productivity and growth. Knowledge-based economies favour ideas to stimulate innovation, and they develop specialized services and highly customized products to create value.
The culture sector is the foundation for Ontario’s growing creative economy sector.
Interactive Digital Media (IDM) is poised to be a key driver of growth and employment in Ontario’s cultural industries and the overall economy as cultural media products such as games and interactive experiences become more prevalent. According to the most recent Canadian Interactive Industry Profile, nearly one-third of the “core” IDM industry, specifically companies engaged mainly in content creation, were located in Ontario. They contributed estimated revenues of $1.1 billion in 2011 and accounted for over 17,000 jobs.
Ontario is the number one film and television production jurisdiction in Canada in terms of production volume, revenue and employment;
With leading computer animation, visual effects, and post-production facilities engaged in cutting edge innovation, and a strong network of training and research centres such as the Canadian Film Centre and the Screen Industries Training Centre located at Pinewood Studios, Ontario is positioned to remain one of the leading centres of film and television production and post-production in North America.
Contribution to tourism
Culture makes a significant contribution to the tourism industry in Ontario, further supporting job creation and encouraging infrastructure development. In 2010, cultural tourism generated $3.7 billion in GDP and resulted in 67,700 jobs for Ontarians.
The many festivals and events hosted each year in every corner of Ontario, coupled with the province’s museums, art galleries, and historic sites, are magnets for cultural tourists. Almost 90% of the 21 million North Americans who visited Ontario among other destinations over a two-year period sought out a cultural activity on their visit.
There are significant opportunities to grow cultural tourism through marketing cultural heritage assets. Historic sites in Ontario had over 3.7 million visits in 2011, placing built heritage in the top five most popular tourist attractions in the province.
Music tourism offers Canadian artists a means of showcasing their talents and promoting their work. Local music scenes can help brand communities to attract tourists from Ontario and around the world. Three-quarters of those who attended the Jazz on the Mountain at Blue in 2013, hosted by the town of Blue Mountain Village, travelled from over 100 kilometres away. In Ottawa, almost 12,000 travelled over 40 kilometres to attend the Ottawa Folk Festival in 2014. In that year, the Folk Festival drew an audience of over 54,000, up from only 2,500 in 2010.
Cultural planning
Increasingly, municipalities are recognizing the contribution of culture to sense of place, quality of life, and community and economic prosperity through a process called “cultural planning.” Cultural planning is led by local governments and involves broad community engagement to identify and leverage a community's cultural resources, strengthen the management of those resources, and integrate them in all facets of local planning and decision-making.
To date, 69 municipalities, representing nearly three-quarters of Ontario’s population, have developed cultural plans and engaged in cultural mapping exercises to identify their unique and valued cultural resources. Maps can include cultural resources both tangible (e.g., cultural workers, spaces and facilities, cultural heritage and natural heritage resources) and intangible (e.g., stories and activities) that reflect the distinct cultural identity of the community.
Cultural plans have contributed to downtown, waterfront, and neighbourhood revitalization. They complement economic development and community growth plans, as well as tourism and population retention strategies, and expand opportunities for youth. For example, St. Catharines’s 2015 cultural plan strongly positions culture as a key economic driver, crucial to combatting the loss of manufacturing jobs. It also positions culture as a source of new business, youth retention, and a means of revitalizing downtown St. Catharines.
The City of Ottawa’s 2013 cultural plan has already resulted in outcomes such as development of an archaeology-related public awareness initiative, a pilot program providing training for youth, support for First Nation, Métis, and Inuit cultural initiatives, investment in local culture (e.g., Arts Court and Ottawa Art Gallery), and music industry development.
For First Nations and Métis communities, the focus of cultural mapping is typically on conserving cultural heritage, traditions, and language. Cultural planning processes have resulted in language plans and policies, place-name maps, videos of Elders’ stories, and the recording of traditional knowledge, as well as cultural tourism and economic development opportunities.
Footnotes
- footnote[1] Back to paragraph WolfBrown, “Ontario Arts Engagement Study” (San Francisco: WolfBrown, September 2011); Nordicity, “2012 Canadian Interactive Industry Profile: Final Research Report” (Canadian Interactive Alliance (CIAIC), October 2013): 36; Canadian Media Production Association et al., “Profile 2014: Economic Report on the Screen-based Media Production Industry” (Canadian Media Production Association, 2015): 36.
- footnote[2] Back to paragraph Abigail Gilmore, “Raising our quality of life: The importance of investment in arts and culture” (Centre for Labour and Social Studies, November 2014).
- footnote[3] Back to paragraph Gilmore, “Raising our quality of life.
- footnote[4] Back to paragraph The Conference Board of Canada, “Valuing Culture: Measuring and Understanding Canada’s Creative Economy” (The Conference Board of Canada, July 2008); Cornelia Dümcke and Mikhail Gnedovsky, “The Social and Economic Value of Cultural Heritage: Literature Review” (The European Network on Culture, July 2013); Business for the Arts, “A Strategic and Economic Business Case for Private and Public Sector Investment in the Arts in Canada” (Toronto: Business for the Arts, October 2009).
- footnote[5] Back to paragraph Cultural Learning Alliance, “The Case for Cultural Learning: Key Research Findings, 2011.”
- footnote[6] Back to paragraph Cultural Learning Alliance, “The Case for Cultural Learning.”
- footnote[7] Back to paragraph National Governors Association, “New Engines of Growth: Five Roles for Arts, Culture and Design” (Washington: National Governors Association, May 2012).
- footnote[8] Back to paragraph Amy K. Garmer, “Rising to the Challenge: Re-imagining Public Libraries” (Washington: The Aspen Institute, October 2014).
- footnote[9] Back to paragraph Cultural Learning Alliance, “The Case for Cultural Learning.”
- footnote[10] Back to paragraph Canadian eLearning Enterprise Alliance, “Canadian eLearning Directory, 2015.” Results obtained from “advanced search by province.”
- footnote[11] Back to paragraph For literature reviews, see Arts Council England, “The Value of Arts and Culture to People and Society: An Evidence Review” (Arts Council England, March 2014); Arts Council England, “The Impact of Arts and Health-the Evidence Base,” in “A Prospectus for Arts and Health, Part 3” (Arts Council England, April 20, 2007); Gilmore, “Raising our quality of life.”
- footnote[12] Back to paragraph Alice Muirhead and Sarah de Leeuw, “Art and wellness: the importance of art for Aboriginal peoples’ health and healing” (Prince George, BC: National Collaborating Centre for Aboriginal Health, 2012); Arts Council England, “UK/investtosave/">The Impact of Arts and Health-the Evidence Base.” See also “Invest to Save: Arts in Health,” for information on a UK arts in health care settings project.
- footnote[13] Back to paragraph Sarah Ripley, “Culturally Diverse Arts and Culture Programming in After School Settings for Culturally Diverse Children and Youth: A Review of Literature” (Scarborough, ON: Creative Mosaics, 2010); John D. Carnwath and Alan S. Brown, “Understanding the Value and Impacts of Cultural Experiences” (Arts Council England, 2014).
- footnote[14] Back to paragraph Alison Phinney et al., “The Arts, Health and Seniors Project – A Three Year Exploration of the Relationship between Arts and Health.”
- footnote[15] Back to paragraph Muirhead and de Leeuw, “Art and wellness.”
- footnote[16] Back to paragraph Canadian Index of Wellbeing, “How are Ontarians Really Doing? A Provincial Report on Ontario Wellbeing” (Waterloo: Canadian Index of Wellbeing and University of Waterloo, April 2014).
- footnote[17] Back to paragraph CHCfE Consortium, “Cultural Heritage Counts for Europe: Towards a European Index for Cultural Heritage”; Dümcke and Gnedovsky, “The Social and Economic Value of Cultural Heritage: Literature Review”; Department of Arts, Heritage and the Gaeltacht, “National Landscape Strategy for Ireland 2015-2025 (Dublin: Ireland, 2015).
- footnote[18] Back to paragraph Liam Delaney and Emily Keaney, “Cultural Participation, Social Capital and Civil Renewal in the United Kingdom: Statistical Evidence from National and International Survey Data” (Dublin: Economic and Social Research Institute, and London: Institute for Public Policy Research, March 2006); Peter Taylor et al., “A Review of the Social Impacts of Culture and Sport” (UK: Culture and Sport Evidence Program, March 2015): 88; Carnwath and Brown, “Understanding the Value and Impacts of Cultural Experiences.”
- footnote[19] Back to paragraph Museums Association, “Submission to Welsh Government call for evidence on ways in which cultural and heritage bodies can contribute to reducing poverty” (October 2013), available at http://www.museumsassociation.org/policy/statements-and-responses.
- footnote[20] Back to paragraph The Conference Board of Canada, “Valuing Culture,” 2; National Governors Association, “New Engines of Growth.”
- footnote[21] Back to paragraph Mark J. Stern and Susan C. Seifert, “From Creative Economy to Creative Society: A neighbourhood-based strategy to increase urban vitality and promote social inclusion,” GIA Reader 19, no. 3, (Fall 2008). See also Mark J. Stern and Susan C. Seifert, “Cultural Ecology, Neighbourhood Vitality and Social Well-being – A Philadelphia Project” (Philadelphia: CultureBlocks, December 2013).
- footnote[22] Back to paragraph Kevin F. McCarthy et al., “Gifts of the Muse: Reframing the Debate about the Benefits of the Arts” (Rand Corporation, 2004): 69.
- footnote[23] Back to paragraph Alan Reeve and Robert Shipley, “The Impact of Heritage Investment on Public Attitudes to Place: Evidence from the Townscape Heritage Initiative (THI)” Urban, Planning and Transport Research: An Open Access Journal 2 no. 1 (2014), 289-311.
- footnote[24] Back to paragraph The Conference Board of Canada, “Valuing Culture,” 2.
- footnote[25] Back to paragraph Working Group of EU Member States Experts on Cultural and Creative Industries, “Policy Handbook” (European Union, April 2012).
- footnote[26] Back to paragraph Charles Levy, Andrew Sissons, and Charlotte Holloway, “A Plan for Growth in the Knowledge Economy” (London: The Work Foundation Alliance Limited, June 2011).
- footnote[27] Back to paragraph The Conference Board of Canada, “Valuing Culture,” 2.
- footnote[28] Back to paragraph Statistics Canada, “Provincial and Territorial Culture Satellite Account, 2010” (Ottawa: Statistics Canada, June 9, 2015). Figures represent product perspective, which includes the contribution of culture products (goods and services) produced in both culture industries and non-culture industries.
- footnote[29] Back to paragraph Statistics Canada, “Provincial and Territorial Culture Satellite Account, 2010.”
- footnote[30] Back to paragraph Statistics Canada, “Provincial and Territorial Culture Satellite Account, 2010.”
- footnote[31] Back to paragraph Nordicity Group Ltd., “2012 Canadian Interactive Industry Profile” (Canadian Interactive Alliance, October 2013). These figures are from the Supplementary Ontario Regional Data Revision requested by the Ontario Media Development Corporation and Interactive Ontario.
- footnote[32] Back to paragraph The Canadian Media Production Association et al., “Profile 2014,” 11.
- footnote[33] Back to paragraph Nordicity Group Ltd., “The Economic Contribution of the Film and Television Sector in Canada” (Toronto: The Motion Picture Association – Canada, July 2013): 13.
- footnote[34] Back to paragraph Canadian Media Production Association et al., “Profile 2014,” 11-12.
- footnote[35] Back to paragraph Ontario Media Development Corporation, “Ontario Film and Television Production Levels, 2014” (March 2015).
- footnote[36] Back to paragraph Nordicity Group Ltd., “The Economic Contribution of the Film and Television Sector Canada,” 72.
- footnote[37] Back to paragraph Research Resolutions & Consulting Ltd., “Ontario Art and Culture Tourism Profile” (Toronto: Ontario Arts Council, November 2012).
- footnote[38] Back to paragraph Research Resolutions & Consulting Ltd., “Ontario Art and Culture Tourism Profile.”
- footnote[39] Back to paragraph Stephanie Mah, “Economic Benefits of Heritage Conservation for the Tourism and Film and Television Industries in Ontario” (Toronto: Architectural Conservancy of Ontario, February 18, 2015).
- footnote[40] Back to paragraph Ontario, Ministry of Tourism, Culture and Sport, “Backgrounder: Celebrate Ontario Success Stories” (Ontario, April 9, 2015).
- footnote[41] Back to paragraph Ontario, Ministry of Tourism, Culture and Sport. See also Municipal Cultural Planning Inc., and Creative Cities Network.
- footnote[42] Back to paragraph unicipal Cultural Planning Inc., “Cultural Resource Mapping: A Guide for Municipalities” (Ontario, 2010).
- footnote[43] Back to paragraph City of St. Catharines, “Inspire St. Catharines: Culture Plan 2020” (City of St. Catharines, February 2015): 6.
- footnote[44] Back to paragraph City of Ottawa, “A Renewed Action Plan for Arts, Heritage and Culture in Ottawa (2013 – 2018)” (City of Ottawa, 2013).
- footnote[45] Back to paragraph From 2009 to 2013, the Creative Communities Prosperity Fund of the Ministry of Tourism, Culture and Sport supported the development of cultural maps and/or cultural plans in over 60 First Nations communities, urban Indigenous communities, and Indigenous organizations.